Something similar happens when visitors get close to Mirror Wall (2010). What at first appears to be a large but straightforward mirror begins to move slightly when approached. Viewing one’s vibrating reflection in it and the accompanying distorted backdrop of the gallery space creates a sense of dizziness and a strange feeling of separation from the familiar. It prompts us instinctively to re-calibrate our spatial awareness and our relationship to what we see and where we are.
Hein’s experiential, perceptual magic tricks are his vehicle for raising engagement between art and its audience. He makes work that can only be experienced through participation, expanding our notion of what art is or could be. ‘For me, the concept of sculpture is closely linked with communication… By challenging the physical attention of the viewer, an active dialogue between artwork, surrounding and other visitors is established that lends the sculpture a social quality.’